Time to get reel.


“Tape just sounds incredible–as close to the real deal as we've ever heard.”
– Computer Music/MusicRadar

Read the full review




  • Realistic analog sound, adds cohesion and warmth to your mix
  • Three tape machine types included
  • Presets by Grammy winners Joe Chicarelli and Howard Willing​



Included in Volume 5 Plug-in Collection

Outstanding sound, supreme value. Learn more

Effects / Amp Room Ready


USD 49 USD 99


Analog tape has a smoothing effect and adds weight and glue to a mix – it turns the recording from a collection of individual tracks into a song, where everything is connected and works together.

Tape, with its component-level and physical modeling of three different tape machines, gives you all the warm vintage cohesion you could want in one plug-in. Add a few premium level features, like the mastering grade high shelf filter, stability control, and wet/dry mix knob, and you've got a new secret sauce. Mmm... tasty!


"Tape sounds FANTASTIC. I like Type A and C the best. Overall, the sound of it is outstanding!!!"

Brian Transeau a.k.a. BT
American music producer, composer, technologist, audio technician, multi-instrumentalist

Have a listen

"Softube Tape is my new favorite saturation plug in. Parallel it with your kick or bass and drive it hard—thick and fat. Tape also lives on my mix buss alongside a couple of other Softube modeled plug-ins, glues my tracks, and gives me a lot of sonic options; from transparent to unwieldy and everywhere in between."

Howard Willing
Producer, engieer and mixer for Smashing Pumpkins, Sheryl Crow and Kris Kristofferson

Sweet and Simple

Select your favorite tape machine (A, B, or C) and adjust the Amount knob. Instant mojo. Easier still, load up one of the included presets to soak your tracks in analog tape sweetness.


Feel Like Tweaking?

Experiment with different tape speed settings, or open the Remote Control panel where you can adjust the machine's stability, crosstalk amount, and several other features.


Rich Sound Across the Mix

Like most Softube plug-ins, Tape is CPU-efficient. Use Tape on your master bus, or do it the retro way by adding Tape to every track. Tons of detail and texture, no CPU overload.


Professional presets by Grammy winners

There are many ways to use and abuse a tape machine, and many modern engineers have never had the pleasure of working with a real (reel to reel) analog unit. That's why, to get you started, Tape includes presets made by Grammy-winning engineers such as Joe Chiccarelli (Beck, U2, Strokes) and Howard Willing (Smashing Pumpkins, Sheryl Crow, Kris Kristofferson).

But there's no wrong answer. Crank Tape to its extremes and you'll get sounds that wouldn't even be possible in most analog machines, at extra-slow speeds for example, or with insane wow and flutter.

Three different tape machines

Type A is based on a classic Swiss high end reel-to-reel machine, known and loved for its precision and linearity. Type B is much more colorful — it's a transformer based machine which adds extra weight and cream to the low end. Lastly, Type C is based on a British tape machine with a distinct vintage vibe.

Each has its own story to tell, and its own special something to impart to your music. So experiment, listen closely, and choose wisely.

Extras for Studio One users

If you run Presonus Studio One, you can not only use Tape as a standard plug-in. Adding Tape to your MixFX slot gives you Tape Multitrack. Tape Multitrack includes all the goodies of Tape, but in addition, you get selectable crosstalk between each individual track — and you can easily control the Tape Multitrack settings from a single interface. The Tape and Tape Multitrack license is one and the same. This means that if you're not a Studio One user but at some future point decide to switch to that DAW, you will already have Tape Multitrack installed, licensed and ready to go.

5 Things to Watch Out for When Choosing a Tape Plug-in

Tape emulations breathe life into a production by adding warmth, glue, and creative energy to a mix. With so many options in tape plug-ins, it can be hard to choose, so we've picked the five most important things to remember when selecting yours.

Read the article

"I love the Softube Tape plug-in. It's great for just adding a touch of analog tape simulation to a final mix, but more impressively it's great for adding character to vocals and guitars. It provides instant glue for harsh or overly transient sounds in a mix."

Joe Chiccarelli
Mixer/Engineer/Producer for Beck, U2, The Strokes, Elton John, etc.

Awards & reviews


"A dazzlingly authentic tape emulation plugin that you’ll want to build into your template DAW project for use on just about everything."

Computer Music / MusicRadar


"...may very well be the last tape emulation plugin you’ll ever need to buy."

Logic Pro Expert


"Outstanding, best-in-class sound quality."




This product supports
Extended Features

We love VU meters, Bakelite knobs, and analog quirks. But we want modern precision and workflow. The answer? Softube Extended Features. Easy-access panels with the innovations you need close at hand


Learn more


"Tape is now on all buses in my mix template. Combining it with British Class A gives me a great start for any sound shaping I need."

Michael Ilbert
Grammy awarded engineer for Taylor Swift, Pink, and Katy Perry

Amp Room Ready

This plug-in can be used within Amp Room, Softube's pro audio guitar & bass platform. Click to learn more.

In short

  • True analog tape sound
  • Three tape machine types included
  • Easy to use
  • Low CPU usage
  • Mastering grade high frequency control
  • Stability control to introduce wow and flutter, or tape flanging when combined with dry/wet mix knob
  • Includes Tape Multitrack which can be used in the MixFX slot of Presonus Studio One — adding individual channel crosstalk and single interface control of all tracks
  • Product features


    • Left and right VU meters for level or Total Harmonic Distortion
    • Amount knob increases saturation
    • Three machine models (A, B, and C), each based on a different high-quality real world tape machine
    • Five tape speed values, measured in inches per second (1 7/8, 3 3/4, 7 1/2, 15, and 30) each increasing in fidelity on the last
    • Dry/wet mix knob
    • Stability control to introduce speed wobble
    • High frequency shelf offers mastering grade cutting or boosting
    • Crosstalk emulates bleed between channels characteristic of analog tape machines. Increases glue and fatness.
    • Tape noise can be switched on or off as required
    • Run and Stop buttons create the effect of the machine slowing to a stop, or rolling up to speed again
    • Input and output level faders give total control over gain staging
  • System requirements

    All Softube products require a computer with appropriate DAW host software (none of which are included).

    Versions from 2.5.38 and newer of the Softube plug-ins have the following minimum requirements:

    All native versions

    • Mac OS X 10.13 up to 12
    • Windows 10 and 11 64-bit 
    • Mac: Intel Core i3 / i5 / i7 / Xeon / Full Apple silicon support (M1 or higher)
    • Windows: Intel Core i3 / i5 / i7 / Xeon / AMD Quad-Core or newer
    • Screen resolution larger than 1280x800
    • 8 GB RAM or more is recommended, as well as at least 8 GB hard disk space for installation (individual plug-ins take less space, while sample libraries may require additional disk space)
    • Softube account
    • iLok account
    • Internet access for downloading installers and managing licenses
    • iLok generation 2 and up, if you intend to use an iLok key for authorizing your plug-ins (note that a physical iLok USB key is not a requirement)

    In theory, any 64-bit VST, VST3, AU, or AAX (Pro Tools 11.0.2 or higher) compatible host application should work. However, due to plug-in host differences between DAWs - and our own rigorous testing standards - we only officially test our plug-ins and instruments in the most recent versions of Pro ToolsLogic ProCubaseAbleton LiveStudio OneReaper, and Cakewalk. Softube plugins are not tested in non-listed systems, but they most likely work as long as the system requirements are met. We cannot guarantee a solution for issues in unsupported systems.

    Note: We have checked the basic functionality of our plug-ins, and Softube Central, under Apple Rosetta 2.

    With regards to the different VST formats, we strongly recommend using VST3 as some of our plug-ins have features that are not present in the older VST format. Supported sample rates: 44.1, 48, 88.2, 96, 176.4, and 192 kHz, in both mono and stereo. The most recent maintenance release of your DAW application is recommended. AAX DSP is not currently in active development. TDM/VENUE is no longer supported (old downloads are available on the Legacy Installers page).

    Find the Softube installer you need both Softube Central and individual plug-ins.

    AAX DSP version

    • For AAX DSP you need to meet the above requirements for the Native versions. You also need to have an Avid HDX processing card. For plug-ins available for AAX DSP, see Which Softube plug-ins support AAX DSP?
Can't find what you are looking for? Support