Mixing

Analytical & vibey peak limiting.

Dive into the details — analog-style.

Clarity and definition for your mix.

Delightfully brash.

Warm, gentle saturation all the way to forceful, explosive character for drums, vocals & more.

A ground-up remake of an eternal favorite.

A prime compressor, optimized for modern times.

Dynamic control with mild authority.

The dual band transient tool.

A tone-enhancer for your buses with the iconic Tube-Tech sound.

THE definitive vocal compressor. Instant smoothness for lush pop vocals, hip hop, rock and more.

Punchy sound that’s always in style.

Light the fuse.

A compilation of high-end tools with the famously transparent Weiss sound at an exceptional value.

The modern and transparent mastering Compressor/Limiter.

Compress, de-ess, and limit with this line-by-line code port of the gold standard in mastering hardware.

Transparent, precise multiband compression.

Achieve loud and polished masters in no time with algorithms from the Weiss DS1-MK3.

Get the modern Equalizers together with the vintage Passive-Active Pack.

Get the modern Equalizers together with the vintage Tonelux Tilt and Tilt Live.

Get the modern Equalizers together with the vintage Trident A-Range.

Get the modern Equalizers together with the vintage Tube-Tech Equalizers Mk II.

Get the modern Equalizers together with the vintage Chandler Limited Curve Bender.

Get the modern Equalizers together with the vintage Core Vintage Equalizers.

Get the modern Equalizers together with the legendary passive tube EQs, Reference 1998 & 1956 Equalizers.

Get the modern Equalizers together with the vintage Summit Audio EQF-100.

Three inspiring analog EQs — with a sound like nothing else.

Broad strokes, big tone.

Massively musical and organic.

The legendary passive tube EQs Reference 1998 Equalizer and Reference 1956 Equalizer.

Smooth and versatile tube EQ. Drive into the red for thick saturation.

Shimmering bright to warm and wide. Boost highs, attenuate lows.

A legendary equalizer with a sweet and edgy sound. Amazing on electric guitar.

Pultec-style tube equalizers. A studio classic used for any source.

A compilation of high-end tools with the famously transparent Weiss sound at an exceptional value.

A surgically-precise, ultra-transparent equalizer based on the EQ1.

A 1:1 code port of the standard of digital mastering EQs.

Shape, sculpt, & saturate—in high-fidelity.

The world’s first transparent mastering exciter.

An analog mojo box. Target frequency areas easily with three bands of saturation and width.

Warm, gentle saturation all the way to forceful, explosive character for drums, vocals & more.

Instant lo-fi modulation & distortion.

Classic overdrive pedal.

The mother of all distorted sounds. It doesn't get more classic than this.

Add some analog distortion to your tracks.

The unique Chandler sound for Console 1.

Our idea of the perfect channel strip.

Pulling no punchiness for Console 1.

Platinum sound for Console 1.

Wide, large, smooth sound for Console 1.

A compilation of high-end tools with the famously transparent Weiss sound at an exceptional value.

The crystal-clear sound of Weiss for Console 1.

A stereo reverb pedal – short rooms to epic sizes.

Five ways to widen.

Vintage sound, modern combo.

Get the modern Equalizers together with the legendary passive tube EQs, Reference 1998 & 1956 Equalizers.

Real tools, real results, real fast. Choose from Mixing, Mastering, or get everything Flow®.

The legendary passive tube EQs Reference 1998 Equalizer and Reference 1956 Equalizer.

Tone sculpting and dynamics control with mild authority.

Supremely transparent and effective de-essing.

Analog grit and digital delay.

A vibrato that can both bring back old memories, and create new ones.

A tremolo that can cover both experimental and classic tones.

Tone sculpting and dynamics control with mild authority.