Tube-Tech CL 1B Compressor
Sonic Joy 2009 (AudioNewsRoom)
Music Radar Rating (Computer Music)
Computer Music Performance Award (Computer Music)
Future Music Platinum Award (Future Music)
Audio Fanzine Rating (Audio Fanzine)
Apfelwahn Redaktionstipp (Apfelwahn)

Optical compressors have a particular way of responding to the incoming signal that is uniquely compelling and musical. But they are of course not all the same, and the Tube-Tech CL 1B is the prime example of what an optic compressor is capable of. It is highly versatile and can go from soft and gentle to snappy and punchy by the twist of a few knobs.

Tube-Tech CL 1B is one of those units that has a defined personality while still being useful on a variety of sound sources in a variety of situations. It can be used for a calm and natural dynamic control, but depending on your settings, it can bring out punch and life from any material. Because of its way of treating the signal differently depending on the frequency content, it gets a lot of love when used on material with a wide frequency range, such as an electric bass that both needs low end control and a snappy presence, or an acoustic guitar that needs to be large sounding and close to the listener. And sometimes, the opto character is just what the doctor ordered for a full mix.

A big part of the CL 1B sound is that the optical gain reduction circuit has a tendency of an initial very quick release time, which then drastically slows down and can take several seconds to fully recover. This has a way of giving a transparent control of shorter events in the signal while retaining a grip of the overall material. It's a sound and texture you will not find in any other compressor.

The Tube-Tech CL 1B Compressor is also available in the Tube-Tech Classic Channel bundle, together with the famous Tube-Tech PE 1C "Pultec" Equalizer and Tube-Tech ME 1B Mid-Range Equalizer equalizers.

In Short

  • Versatile but still a bucketful of character
  • Optical compressor with a vacuum tube gain stage
  • Created together with the designers at Tube-Tech
  • Each and every component carefully modeled
  • External sidechain control
  • A seriously great looking GUI!
  • Very CPU friendly

Read more about Tube-Tech.

ALL VISUAL AND AURAL REFERENCES TO THE TUBE-TECH AND PE 1C TRADEMARKS ARE BEING MADE WITH WRITTEN PERMISSION FROM LYDKRAFT. ALL OTHER TRADEMARKS ARE PROPERTIES OF THEIR RESPECTIVE OWNERS AND ARE USED FOR INFORMATION PURPOSES ONLY.

The Making of the CL 1B Plug-in
Classic Channel - Features and Tutorial
Tube-Tech CL 1B - Features and Tutorial
Sonic Joy 2009 (AudioNewsRoom)

Sonic Joy 2009
audionewsroom.blogspot.com​/2010​/01​/sonic-joy-awards-2009.html

Music Radar Rating (Computer Music)

Music Radar Rating
www.musicradar.com​/gear​/all​/computers-software​/plug-in-fx​/tube-tech-cl-1b-242040​/review

Computer Music Performance Award (Computer Music)

Computer Music Performance Award
www.computermusic.co.uk

Future Music Platinum Award (Future Music)

Future Music Platinum Award
www.musicradar.com​/futuremusic

Audio Fanzine Rating (Audio Fanzine)

Audio Fanzine Rating
en.audiofanzine.com​/plugin-dynamic-processor​/softube​/tube-tech-cl1b​/user_reviews

Apfelwahn Redaktionstipp (Apfelwahn)

Apfelwahn Redaktionstipp
apfelwahn.de​/music​/blog​/2010​/06​/test-softube-tube-tech-cl-1b-compressor

Quotes

Click to show Tony hangs out with Softube at AES NYC 2009. From left to right: Torsten, Tony, and Oscar.

There are barely words to describe what I think about the CL1B plugin. The sonics are outstanding. The GUI is awesome. I thought it was just a picture until I started turning the knobs. I own hundreds and hundreds of plugins but... the CL1B plugin is the most accurate representation of a hardware that I have EVER seen.

Tony Shepperd, Producer/Mixer/Engineer for Madonna, Faith Hill, Whitney Houston, Lionel Richie, Elton John, Back Street Boys, etc.

The CL-1B is now my first choice software compressor. I absolutely love it on vocals. But it also adds that special Tube-Tech warmth to bass, synths and drum busses.

Søren Balsner, Carpark North

Click to show John D Norten doing his thing.

Softube first came onto my radar through the Tube-Tech CL 1B. I used the original hardware a lot during tracking and found the plug-in to be a great software version of it.

John Norten, Recording and mix engineer for among others Prince, Lady Gaga, Macy Gray, Backstreet Boys.

Click to show Koen Heldens pondering the next move.

Tube-Tech CL 1B is by far the best vocal compressor I have ever heard. It's extremely smooth yet controlling, and it can be found on the lead vocals in 90% of all my mixing sessions.

Koen Heldens, LA-based international multi-platinum award-winning mixing engineer, with artists like Beyoncé, Lil Wayne, Missy Elliott and Timbaland on his resumé.

One of the warmest, natural and most musical compressors I've ever heard. Buy it.

Jono Buchanan, Writer for Future Music

Overall, the CL 1B really is a fantastic compressor plug-in that's capable of both subtle containment and excellent audible colour.

Computer Music, Magazine

Click to show Mix Magazine logotype

The CL 1B is a true compressor for all seasons. I found it perfect for any individual track from bass to vocals to drums because it is precisely adjustable and able operate perfectly for any kind of dynamic control from transparent and subtle to more typical compression chores with 2 to 6dB of peak compression and then all the way to major audio clamping with a striking, and colorful character. It's a big winner for me and is a major player in all my mixes from now on!

Barry Rudolph, Contributing editor for MIX Magazine and 'New Toys' columnist for L.A.'s Music Connection Magazine.

Click to show Tony hangs out with Softube at AES NYC 2009. From left to right: Torsten, Tony, and Oscar.

..I spent hours going through settings hardware vs software and I just kept saying 'this is unbelievable'.

Tony Shepperd, Producer/Mixer/Engineer for Madonna, Faith Hill, Whitney Houston, Lionel Richie, Elton John, Back Street Boys, etc.

Click to show Tony hangs out with Softube at AES NYC 2009. From left to right: Torsten, Tony, and Oscar.

To me it's the closest representation I've heard of any hardware ever. Fantastic.

Tony Shepperd, Producer/Mixer/Engineer for Madonna, Faith Hill, Whitney Houston, Lionel Richie, Elton John, Back Street Boys, etc.

Click to show Tube-Tech Logo

A truly faithful and very exact replica of the hardware CL1B. Finally it's possible to experience natural musical compression in a plug-in

John G. Petersen, Designer and president of Tube-Tech

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